Saint Louis Art Map

Your guide to the visual arts in St. Louis.

Art21 Guest Blog: Exploring Cultural Activism in St. Louis

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Image from "The Pruitt-Igoe Myth" documentary.

Last month I was given the opportunity to serve as Guest Blogger for the Art21 Blog. For those unfamiliar with the blog, it was initially founded to provide further reading on the artists featured in the PBS documentary series, Art in the Twenty-First Century. In recent years, the blog has broadened its scope beyond the documentary series, and has become a forum for international contemporary art, reaching over 50,000 readers every month. During my two-week tenure as Guest Blogger I was given the freedom to write about any topic that I desired, keeping in mind that the blog reached both national and international audiences.

With this daunting task in mind, I used the blog as an opportunity to showcase the diverse cultural initiatives that have helped to redefine St. Louis’s identity over the past decade. Oftentimes, it is tempting to perceive mid-size Midwestern cities as the homogeneous products of post-industrialism. However, having called many Midwestern cities my home, I feel that such a mindset fails to acknowledge the unique populations, traditions, and industries that have shaped the city’s identity. Though St. Louis may not be the center of the contemporary art world, the city has bred and attracted artists whose socially-based practices address issues that resound beyond our city limits. Throughout my four blog posts, I question how we reconcile the city’s unfavorable economic indicators—such as the recent population decline—with the enormous cultural growth that St. Louis has experienced during the past decade alone.

In an attempt to better understand the role that the city’s identity plays in our cultural practices, I met with ten different artists, social workers, and community activists during the weeks leading up to my stint as Guest Blogger. These individuals included: Juan William Chávez, Theaster Gates, students and professors from the Brown School of Social Work, alums of the Community Arts Training Institute, and Roseann Weiss. Rather than paving over St. Louis’s complex history, each individual I met with actively considers the city’s opportunities and challenges, proposing responsible methods for cultural regeneration.

I invite you to visit the Art21 Blog to learn more about the individuals and initiatives that are working to re-imagine the cultural landscape of St. Louis, moving our city’s cultural achievements beyond local discussions and into international circles.

This Saturday: Transformation Project Walk

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Holy Trinity Catholic School students make a video with 2010 Whitney Biennial winner Theaster Gates about what they want to see in their neighborhood. Gates’ exhibition Dry Bones and Other Parables from the North will open this Saturday as part of the Transformation Project Walk.

Join the Pulitzer this Saturday, May 15, for the Transformation Project Walk, the grand finale to the Transformation projects. Since last fall, the Pulitzer has been implementing community programs in relation to the work of Gordon Matta-Clark, which combine art, social engagement and the urban landscape. On Saturday, these programs will showcase their achievements at various sites in Grand Center and the neighborhood of Hyde Park. For a full description of this event, visit the Pulitzer’s website.

Robert Paints

Robert Longyear spray paints a battered trashcan inside the Woolworth Building. The St. Louis-based artist collected various objects around Grand Center to be incorporated into his show for Transformation. For an explanation on this exhibition, visit the Urban Evolution blog.


Boots’ Artist Theaster Gates selected for the 2010 Whitney Biennial

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Boots Contemporary Art Space is pleased to announced that Theaster Gates has been selected for the 2010 Whitney Biennial. Theaster Gates opened our 2009 – 2010 exhibition season with Holiness in 3 parts.  Theaster’s success is a testament to the vision and mission of Boots Contemporary Art Space. We congratulate Theaster in his achievement and wish him continued success.

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Theaster Gates Opening Night Performance

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The opening of the Theaster Gates exhibition, Holiness: In 3 Parts, was a night filled with 3 dynamic performances. Orron Kenyatta, started the evening off with lyrical poetry. The Zion Temple Baptist Church Choir, from St. Louis, then uplifted us with powerful gospel songs. Part three is when Theaster Gates and The Black Monks of Mississippi performed songs that told the story of Dave the slave potter. These performances were surrounded by Gate’s minimal sculptures that were constructed out of objects that he found in his own backyard. Also included in the exhibit are two shoeshine chairs and a video of shining shoes accompanied by a Buddhist-like audio chant. If you missed the opening don’t worry below is a video that contains highlights from the evening.   Holiness: In 3 Parts will be on display until 10.16.2009. For more information please click on the link

Opening Exhibition this Friday!

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Holiness: In 3 Parts is a solo exhibition by Theaster Gates

Opening night will have a performance that will begin at 7:42 and last till 8:53

Opening reception: Friday, September 18th  6:30 – 10pm
Photo by Sara Pooley
Photo by Sara Pooley

Part 1: The Westside Piece (Front Space) – 7:42- 7:52 (Theaster and possibly Orron Kenyatta -poet)

Part 2: The Glorious Picnic (Front of the back) – 7:52- 8:40 (Black Monks of Mississippi)

Part 3: Stairwell to heaven and Other things from my backyard (Back of the back Space) -8:40-8:53 (Monastic Funk Band)

Click on link to view Theaster’s performance “Temple Exercises” at the

Museum of Contemporary Art in Chicago - MCA MEDIA PLAYER-Theaster Gates

Boots Fall Opening Exhibition – Theaster Gates

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Opening reception: Friday, September 18th – 6:30 – 10pm

photo: Sara Pooley

photo: Sara Pooley

Holiness: In 3 Parts, a solo exhibition at Boots will give Theaster an opportunity to work through ideas surrounding the psychic space of the back yard. On opening night, with help from his performance ensemble, The Black Monks of Mississippi, Gates will bring charismatic structures of the black church into brief conversation with the formalities of City Planning Policy.

Performance will begin at 7:42 and last till 8:53

Part 1: The Westside Piece (Front Space) 7:42- 7:52 (Theaster and possibly Orron Kenyatta -poet)

Part 2: The Glorious Picnic (Front of the back) 7:52- 8:40 (Black Monks of Mississippi)

Part 3: Stairwell to heaven and Other things from my backyard (Back of the back Space) 8:40-8:53 (Monastic Funk Band)

“Holiness in three parts could be thought of in the following way: Heaven, Hood and the City – using sculptural objects made from things in my backyard, we will move between these three loosely prescribed categories. With “The City” representing hell and the hood being somewhere between paradise and the underworld, I hope to consider three different presentation formats, in three different parts of the space in what would appear to be a Joseph Beuys styled performance that uses the black religious form to deliver thoughts on new urbanism, slave labor via the embodiment of Dave the slave potter and the history of the racialized bodythrough performance. Holiness in three parts is literally a trinity of confusion and urban rumination. Lots of stones will be left unturned, but those turned will get a good shining”

Theaster Gates

Tea Shack- photo by Sarah Poole

Tea Shack- photo by Sara Pooley

about Theaster Gates

Sculptor and Performance Artist, Theaster Gates works with the sacred city found just below its forgotten and often abandoned exterior. With parts of old buildings and visions of grand rehab projects, Gates, a believer in the possibility of place, begins to release some of the resonate beauty of the city’s under belly in a way that is both contemplative and frenetic.

for more info on Theaster Gates click on the link

Boots Bides Farewell to MaryJo

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Today is my last day at Boots because I am going back to Boston College to pursue my art history degree. It was an unique experience, one that showed me the behind-the-scenes workings of an non-profit artist run space, the ins and outs of publishing BootPrint, and meeting international artists. Knowing little about the arts in St. Louis, Boots exposed me to all the exciting art thats currently happening throughout the city. I highly recommend anyone who is interested in working within the arts to check out internship opportunities here at Boots Contemporary Art Space. Although I’ll be in Boston, be sure to attend the opening exhibition, Holiness: In 3 Parts solo show by Theaster Gates on the 18th of September. 

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