Saint Louis Art Map

Your guide to the visual arts in St. Louis.

Art21 Guest Blog: Exploring Cultural Activism in St. Louis

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Image from "The Pruitt-Igoe Myth" documentary.

Last month I was given the opportunity to serve as Guest Blogger for the Art21 Blog. For those unfamiliar with the blog, it was initially founded to provide further reading on the artists featured in the PBS documentary series, Art in the Twenty-First Century. In recent years, the blog has broadened its scope beyond the documentary series, and has become a forum for international contemporary art, reaching over 50,000 readers every month. During my two-week tenure as Guest Blogger I was given the freedom to write about any topic that I desired, keeping in mind that the blog reached both national and international audiences.

With this daunting task in mind, I used the blog as an opportunity to showcase the diverse cultural initiatives that have helped to redefine St. Louis’s identity over the past decade. Oftentimes, it is tempting to perceive mid-size Midwestern cities as the homogeneous products of post-industrialism. However, having called many Midwestern cities my home, I feel that such a mindset fails to acknowledge the unique populations, traditions, and industries that have shaped the city’s identity. Though St. Louis may not be the center of the contemporary art world, the city has bred and attracted artists whose socially-based practices address issues that resound beyond our city limits. Throughout my four blog posts, I question how we reconcile the city’s unfavorable economic indicators—such as the recent population decline—with the enormous cultural growth that St. Louis has experienced during the past decade alone.

In an attempt to better understand the role that the city’s identity plays in our cultural practices, I met with ten different artists, social workers, and community activists during the weeks leading up to my stint as Guest Blogger. These individuals included: Juan William Chávez, Theaster Gates, students and professors from the Brown School of Social Work, alums of the Community Arts Training Institute, and Roseann Weiss. Rather than paving over St. Louis’s complex history, each individual I met with actively considers the city’s opportunities and challenges, proposing responsible methods for cultural regeneration.

I invite you to visit the Art21 Blog to learn more about the individuals and initiatives that are working to re-imagine the cultural landscape of St. Louis, moving our city’s cultural achievements beyond local discussions and into international circles.

DON’T miss SWEET JESUS only up for 2 days Opening this Friday 19th 7-10 pm

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SWEET JESUS Friday 11/19/2010 @ 7-10 pm

The event will take place in four locations and over 33,000 square feet of Historic Lemp Brewery in the Cherokee Street neighborhood of Saint Louis. An international pool of over 15 contemporary artists and collaborative groups will be represented.

Opening Event w/ performances by Beacon Projects @ 7:30pm & 9pm

You can Watch a live video feed of the performance at http://www.ustream.tv/channel/im-you-sweet-jesus

Afterparty @ The Stable (across Cherokee St. from Lemp)

Saturday 11/20/2010 @ 1-3 pm: Panel, walking tour, & mimosa sing-along  Featuring: (to be announced)

Saturday 11/20/2010 @ 12-5 pm: Open Hours 12 pm – 5 pm

Web Site http://www.sweetjesusstl.com/about.html

LOCATION: Lemp Brewery‎, 3500 Lemp Avenue, St. Louis, MO 63118-3256

HOW TO GET THERE? CLICK TO VIEW MAP

http://www.sweetjesusstl.com/maps.html

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Directors: Lauren F. Adams, Juan William Chavez, Jake Peterson, Kiersten Torrez and William Joseph Gass

Special Video Curation by: Laura Fried & Matthew Thompson

Participating Artists: Lauren Frances Adams, Beacon Projects, Juan William Chavez, Coble / Riley Projects, William Gass, Sarrita Hunn, Gregg Louis, Tim Ridlen, Mike Schuh, Ryan Thayer, Kiersten Torrez

Sweet Jesus @ Historic Lemp Brewery

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sweeet-jesus-space

Sweet Jesus November 19, 2010 – November 20, 2010

Historic Lemp Brewery, St. Louis, MO

Co-directed By: Lauren Frances Adams, Juan William Chavez, Jake  Peterson, & Kiersten Torrez

ST. LOUIS, MO: 19 Contemporary artists from across the United States will be participating in one of the largest independent art events in St. Louis history. 33,000 sq. ft. and four massive, unfinished sections of Historic Lemp Brewery will house this two day event.

Lemp Brewery will open its gates on Friday, November 19th, at 7pm. This two-day art exhibition features local and national installation, multimedia and performance artists. Sweet Jesus is organized by local cultural workers as a platform for focusing international attention to the unique resources and culture of the St. Louis independent art movement. Drawing its name from the found graffiti of former disenchanted youth that used the expansive brewery as an underground party mecca, Sweet Jesus attempts to recapture this energy in the form of a spontaneous 24 hour art happening. Artwork will be installed on four sections and three floors of the raw industrial space that formerly housed the brewery’s ice house, storage, and processing facilities.

Artists in this group exhibition include: Lauren Frances Adams (St. Louis, MO), Beacon Projects (New York, NY), Juan William Chavez (St. Louis, MO), Coble/Riley Projects (Copenhagen, Denmark and New York, NY), William Gass (St. Louis), Sarrita Hunn (St. Louis), Gregg Louis (New York, NY), Tim Ridlen (New York, NY), Mike Schuh (Chicago, IL), Ryan Thayer (St. Louis, MO), Kiersten Torrez (St. Louis, MO). Video selections by guest curators Laura Fried (St. Louis, MO) and Matthew Thompson (Aspen, CO).

On November 19th, there will be an opening party from 7 p.m. to 10 p.m. Performances by Beacon Projects scheduled at 7:30pm and 9:00pm will be broadcast live on the web. Open hours on Saturday, November 20th will feature a discussion and walking tour with guest panel, inspirational sing-along, and mimosa toast from 1 p.m. to 2:30 p.m.

Sweet Jesus, is organized by Lauren Frances Adams (Founder of Cosign Projects and Assistant Professor of Painting at Washington University), Juan William Chavez (Artist, Cultural Activist and Founder of Boots Contemporary Art Space), Jake Peterson (Assistant Curator of Cosign Projects and Lead Designer at Arsenal Studios), and Kiersten Torrez (Visitor Services Manager at the Contemporary Art Museum St. Louis). Guest curators include Laura Fried (Associate Curator at the Contemporary Art Museum St. Louis) and Matthew Thompson (Associate Curator at the Aspen Art Museum). The exhibition is on view Friday, November 19, 2010 7-10pm and Saturday, November 20, 2010 12pm-5pm. Admission is free.

Sweet Jesus is generously supported by Arsenal Studios (http://www.arsenalstudios.com) and Historic Lemp Brewery.

For more information, please visit:

Exhibition website: www.sweetjesusstl.com
Sweet Jesus on Facebook:
http://www.facebook.com/pages/Saint-Louis-MO/SweetJesus/154037334633285

Sweet Jesus on Twitter: http://twitter.com/SweetJesusSTL

  • Author: Juan@STL
  • Published: Sep 2nd, 2009
  • Category: News
  • Comments: Comments Off

Boot Print Volume 3 Issue 1 Now Available Online

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HOT OFF the PRESS!  Boot Print Volume 3 Issue 1 begins as usual with the Boots shows. First comes Turkish artist, Serkan Ozkaya with this breath taking installation entitled A Sudden Gust of Wind by Liz Wolfson; followed by Slinger II curated by Cole Root and discussed by Juan William Chávez.

Then Boot Print pays tribute to Ernest Trova, Tom Friedman and Larry Krone – St. Louis’ finest established artists interviewed by three emerging artists based in the city namely Matt Strauss, Juan William Chávez and Brandon Anschultz.

This issue’s Study Section focuses on groups, collectives and collaboratives that are space-free. The key notion here is the camaraderie among a creative group of individuals working under an umbrella name. Whether artists, curators or activists, they make it happen. Boot Print is proud to present: The Guerrilla Girls by Virginia MacKenny; Temporary Services by Tim Ridlen; What, How and for Whom by Danyel M. Ferrari; Raqs Media Collective by Ashok Mathur; Young-Hae Chang Heavy Industries by Kelly Shindler; and Avant Car Guard, Doing It For Daddy and Galerie Puta by Robert Sloon.

And finally, Georgia Kotretsos talks to the creators of Magazine Forte – a sound magazine, which is about to commence in September 2009 from New York City and to Pablo Helguera about Artoons – his latest book of art related cartoons.

Click Here to Start  Downloading  Boot Print

Boots’ On Location: New Delhi

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Changing light bulbs

Changing light bulbs

The director of Boots, Juan William Chávez, just came back from his trip to New Delhi, India. Invited by past exhibiting artist Asma Kazmi, whose exhibition Relation-Chute II: Meditation on My Slaughter opened at Boots in early 2009, Juan went to take a sneak peek at Kazmi's current project with the hijra community. He explored the vibrancy of Delhi, from its colorful markets and bustling streets of Old Delhi as well as researched the New Delhi contemporary art scene, which has had a Flash Art focus in the recent years. Click here to check out highlights of contemporary Indian art.

Rishikesh and the Ganges River

Rishikesh and the Ganges River

Delhi, as the capital of India, is an important city in the large subcontinent. With a population of around 16 million residents, Delhi's primary spoken language is Hindi. Some famous sites around Delhi include the Red Fort; largest mosque in the India, Jama Masjid; and of course, the Taj Mahal, located in Agra, a few hours away by train from Delhi.working-hard

Stay tuned for more blog entries on Boots' trip to India.

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Bustling Streets of Delhi

Bustling Streets of Delhi

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