Walking with a group of friends to see the opening of the new exhibition at the Center of Creative Arts (COCA), private (dis)play, I had no idea what to expect.  The concept sounded novel: exhibit pages from artists’ notebooks to gain an understanding of their inner lives, but I wondered how such an idea might be implemented effectively. After all, I thought as I jumped over the puddles of slush covering the unlit streets of University City, notebook pages alone are not very interesting.

As we entered the building and made our way to the exhibition room, I thought my worst fears were confirmed. The show was housed in a white exhibition space, and the nature of the art being shown made for a fairly drab appearance. Reluctantly I began to circle my way around the space, glancing at the notebooks and sheets of paper pinned and encased in plastic along the walls. Though the exhibit emphasized the sketchbook component of private work, the pieces took many forms. In addition to white sketchbook pages, the show housed larger sheets of paper with drawings done in pen, video monitors displaying digital animatics, lined sheets with watercolor, and even a few collages.

After I had perused through the gallery for a few minutes one of the curators, Jamie Adams, began to speak.

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Run a Google search on “top skylines of the world” and you’ll be hard-pressed to find St. Louis anywhere on the list. Although St. Louis’ skyline isn’t much to brag about, one aspect we have that sets us apart from most other concrete jungles of America is the Saint Louis Gateway Arch, a 630 ft. tall steel structure built in the 1960s, and designed by Finnish-American architect, Eero Saarinen.

I had the opportunity to attend the opening lecture for a two-month long exhibition at Washington University in St. Louis in honor of Eero Saarinen and the Arch.

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Yuko Shimizu is a Japanese born, New York illustrator who gave an entertaining and educational lecture in the Steinberg Auditorium at Washington University late Wednesday, February 18th. An illustrator with a love for saturated tones, texture, and dramatic figures, Yuko’s art has a complexity that is very intriguing. She once painted a ceramic rabbit with an intricate black and white pattern comprised of just dots. The bunny sold on Ebay for over a thousands dollars and the proceeds went to Save the Children Foundation. Other artworks she has done include: an evocative illustration for a sex story in New York Magazine where hundreds of couples were making love in the middle of a colorful Times Square, a chic aristocratic female lounging in ornate outfits for a Neiman Marcus advertisement, and an offbeat summer illustration of a wave rendered in a cable knit sweater pattern engulfing a swimmer as balls of yarn are tossed around for a Superphat magazine cover. Although her finished work  looks so polished, Yuko’s career path is almost as complicated as the patterns she creates.

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