Mike Venso, the director of Communications at Laumeier Sculpture Park, interviews Kim Humphries, Director of Exhibitions and Collections, and Mark Newport about Newport’s art in the exhibition Self-Made Man.
Panelist Juan William Chávez talks about the art experience provided at Boots Contemporary Art Space, an alternative art space in St. Louis, MO.
Tomorrow at 7:30pm, the Pulitzer Foundation for the Arts will begin its panel series related to the work of Gordon Matta-Clark, alongside its current exhibition Urban Alchemy/Gordon Matta-Clark and tailored programming entitled “Transformation” (tour the show’s mind-blowing catalogue for a primer). The basic question posed in these conversations will be, “How do communities evolve, and in what ways can their members guide the process?”
Tomorrow’s “The City as Studio” will focus on how art spaces and creative acts invigorate urban neighborhoods, spotlighting examples of this happening in St. Louis. Panelists include Juan William Chávez, Theaster Gates, Mary Jane Jacob, Luis Croquer, and Christy Gray, all of whom have exceedingly impressive bios you can read on the event’s webpage. The intention, though, is that the panelists won’t be the only ones comparing notes, and that the occasion will provide an arena for all attendees to contribute thoughts on revitalization.
We hope you’ll join us tomorrow and for future panel discussions. For more information on upcoming events at the Pulitzer and to subscribe to our e-newsletter, please visit www.pulitzerarts.org.
Matthew Strauss, the founder and director of White Flag Projects, describes the current and upcoming exhibitions for 2010.
Olivia Lahs-Gonzales, Director at the Sheldon Art Galleries, gives an overview of the Sheldon’s current exhibits.
Alex Elmestad, a graduate research assistant from University of Missouri–St. Louis, describes new media he’s working on at Contemporary Art Museum St. Louis.
Here on Saint Louis Art Map, we’re launching a video series, “Catching up with ______,” in which I visit St. Louis Art Map spaces and ask people there, “What have you been working on?”
Let us begin with words from Nicholas Kania, an intern at Boots Contemporary Art Space.
http://www.vimeo.com/8084947Nicholas Kania, an intern at Boots Contemporary Art Space, describes recent art shows he’s worked on at Boots.
As my friend Courtney said the other day of Ideal (Dis-) Placements, stick a fork in it. It’s done. St. Sebastian has peered down from his post in the Entrance Gallery for nearly a full year, and in one month, he’ll journey back to Harvard Art Museum, as the other masterworks return to their respective dwellings.
We have another show to look forward to—Urban Alchemy/Gordon Matta-Clark. As the title suggests, this exhibition will focus on how Gordon Matta-Clark, an artist in New York in the 1970s, transformed what was labeled useless–mainly abandoned buildings–into enchanting elements. One piece to be in Urban Alchemy is Garbage Wall, which will be of course a wall made from garbage. Might it be more than that, though?
The original Garbage Wall (Matta-Clark made three) was built in 1970 at Manhattan’s St. Mark’s Church. Celebrating the first Earth Day, Matta-Clark orchestrated its construction over three days by inviting passers-by to dump urban refuse into a mould with tar and plaster. For our 2009 re-creation, the Pulitzer is also asking the community to partake.
Our garbage collection is led by Jenny Murphy, a freelance “Garbage Specialist.” Yesterday, she went to two neighborhood schools to call for contributions, leaving behind cardboard bins. She’ll visit two more to again talk about Matta-Clark and the possibilities of art classes working on their own garbage sculpture; similar to what happened for last year’s Community Light Project, when students were invited to make light pieces during The Light Project.
To prevent the Pulitzer from becoming a landfill, we’re mostly taking donations from those specific schools at the moment. In addition, Jenny, and sometimes I, will make garbage runs. (Bulk trash days are coming up.) Jenny is also organizing a neighborhood trash clean-up with Big Brothers Big Sisters and Washington University Undergrads. You can get updates about these excursions on 2buildings1blog.
If you’d like the chance to play with urban waste, come by the Pulitzer’s booth during Earthways Green Home Festival on September 26. Jenny will be there crafting kites, seed starter cups, and handmade paper out of old newspapers with anyone who would like to join her. A tall Plexiglas box, trash, and gloves will be available for people to simulate their own garbage wall. We’ll also be taking public donations there–nothing perishable please.
As Web Communications Assistant for the Pulitzer, yes, I’m on Facebook a lot, and for the last couple of weeks, I’ve been getting daily updates, invites, and reminders from artists and spaces on one of the most anticipated art events in St. Louis, Open Studios. Even electronically, the excitement is palpable.
When Mad Art founder Ron Buechele wrote in his Facebook status “getting ready for open studio,” I messaged him to find out what getting ready entailed as well as what he thinks the artists’ weekend show-and-tell does for St. Louis.
He replied, “The greatest effect is that the event has the potential to expose an underexposed artist. That, and it humanizes the artists to the general public and takes a little of the mystery out of what we do. I completely revamped my studio from top to bottom, so it has a whole new look and feel, although I am the only one that will know that. I hope that the event draws a large and eager crowd, and personally, that it brings some people to Mad Art who have never been here before.”
To learn more about Open Studios, on Wednesday afternoon, I actually got off the computer and walked next door to our neighbor/the presenter of City-Wide Open Studios, Contemporary Art Museum St. Louis, and spoke with its Assistant Curator, Laura Fried, and curatorial intern Brittni Zotos. Fried plays a major role in organizing the event, including communicating with the hundred-plus artists involved. She explains some details behind Open Studios in this video I took that afternoon:
Zotos talks about her important role in Open Studios:
http://www.vimeo.com/5749039As Laura Fried mentioned, Open Studios gives people the opportunity to glimpse artists in their natural habitats, and it also can take people to parts of St. Louis they might not have seen otherwise. I don’t know if I’ll be able to make it to all the studios this weekend, but I have a few mapped out. Currently, I have a soft spot for a St. Louis art sub-community off of Broadway on Ohio, where you can find a cluster of artists participating in Open Studios–Arcadia studios (Sarah Paulsen, Emily Hemeyer), Gary Passanise, and Floating Laboratories, near a vegetable factory on the Mississippi River.
Wednesday night, I went to the the recently founded Floating Laboratories, the studio of Kevin Harris, to see what was happening there in preparation for the big event. Harris said he might sweep the floor, but really what people will be getting is what his studio would look like with or without a tour of people coming through–just like the Discovery Channel. None of Harris’ work is sampled in CAMSTL’s preview show, because it’s all too big. If you’d like an idea of what you might find there, watch this video of Harris working on his “Snuffleupagus,” with a base of wood and bubble wrap:
http://www.vimeo.com/5748777
© 2009 Saint Louis Art Map. All Rights Reserved.
This blog is powered by Wordpress and Magatheme by Bryan Helmig.